A flat stone or nephrite figure, China, Pre-Han dynasty (- 25 A.D.) -6,7 x 5 cm-

A Chinese white jade figure of a boy holding a large lotus leaf branch over his shoulder. The leaf is overlapping his head, he is wearing a long dress, all executed in Ming style, China, Qing dynasty -5,5 cm, head restuck-

An enamelled Manchu hair ornament with spring armatures, China, Qing dynasty -7 x 4,5 cm-

A Chinese openworked jade 'bi-disc', the centre with a dragon, and eight stylised dragons to the rim, each seperated by a small drilled hole, China, Qing dynasty -D. 15,5 cm-

A Chinese bronze dagger-axe head, also known as a 'Ko', with a slotted shaft for fitting in to a andle, the blade decorated with a symetric design in relief, China, Late Shang or Yin Dynasty (1766 - 1966 B.C.) -21.5 cm, 191 grams- The Ko functioned as a double weapon. It was used as a dagger or inserted into a slot on a wooden handle to be used as a battle-axe. Ko’s of this type from the Shang dynasty are extremely rare

A Chinese bronze halberd or dagger axe ('Ge') of a later type (Mao) which was widely used during the Han dynasty and then produced primarily in iron, this Mao is probably of an earlier date, China, probably Warring States (475 - 221 B.C.) or Qin dynasty (221-207 B.C.) -13.3 x 30.8 cm, 160 grams-

Large Japanese earthenware Tamba-tachikui vase with two handles, signed -H. 40 cm- Tamba-tachikui ware (called Tamba-tachikui yaki in Japanese) is a form of pottery produced around Konda in the city of Sasayama, Hyogo prefecture. It is one of Japan's Six Ancient Kiln’s

Two Japanese earthenware Tamba-tachikui dishes with abstract decoration, one dish signed, third quarter 20th century -Diam. 31,5 cm- Tamba-tachikui ware (called Tamba-tachikui yaki in Japanese) is a form of pottery produced around Konda in the city of Sasayama

Japanese earthenware Tamba-tachikui vase with two handles, -H. 21,5 cm, defects- Tamba-tachikui ware (called Tamba-tachikui yaki in Japanese) is a form of pottery produced around Konda in the city of Sasayama, Hyogo prefecture. It is one of Japan's Six Ancient Kiln’s

A Japanese kakemono of two Mandarin ducks along a stream with blossoms in the background, painted on silk with silk mounting, two seals, Japan, late 19th/early 20th century -108,5 x 41 cm, total 186 x 56,5 cm, some spotting, slight damage to top of silk mounting-

A Japanese kakemono of a crouching tiger, painted on silk with silk mounting, one seal, in original box, Japan, late 19th/early 20th century -112 x 41 cm, total 195 x 54,5 cm, some spotting, damaged at the lower section of the mounting, discolouration-

Four Japanese bone netsuke: a boy riding an ox, two mice on a mushroom, a bull dog and two mice crawling over a bird cage, added an Indian gaming piece, late 19th/ early 20th century

Four Japanese bone okimono: a basket, a bed with two cats, two bird cages, added a Japanese pill box with three monkeys 'hear no evil, see no evil and speak no evil', late 19th/early 20th century

A well carved Indonesian keris with wooden shaft, the blade well forged in waves at the top, Java, Indonesia -52 cm, defects to the wooden shaft-

A Chinese bronze Buddha head on a wooden base, China, Ming dynasty or later, the wooden base modelled as the upper part of a torso, 20th century -total height: 13 cm-

Japanese Tatami mat, third quarter 20th century -5 x 180 x 89 cm-

Carved Japanese ivory okimono: sreet vendor, first quarter 20th century -H. 10,3 cm, defects-

Patrice Valfré, 'Yixing Teapots for Europe'. Hua Xia Museum of Ancient Yixing Teaware, 2015. First Edition thus. Quarto, Decorative Cloth, 269 pages. Over 580 colour and black and white illustrations. Text in Chinese and English. A well illustrated catalogue on Yixing teapots which are chronologically classified according to the market of destination: Chinese, European, Thai, Indonesian and Malaysian. The large selection of teapots (from 1550 - 1900) are well described and give great insight to the history of this wonderful product. In new condition

A Balinese carved wooden panel depicting horsemen attacking two figures in a chariot from above, painted in green, red, yellow and highlighted with gold -49 x 44 cm, chips to extremities and lower right corner-

A double sided carved wooden panel, the one side with animals and birds surrounded by flowers and branches all painted in red, yellow, green and brown, the opposite side with branches and flowers in red with gilding, South-East Asia, 20th century -49 x 110 cm-

A gilt wooden carved panel depicting a battle scene with horsemen, dignitaries in temples with foo dogs in the back ground, China, first half 20th century -64 x 40 cm

A Chinese gilt-lacquered wooden sculpture of Guanyin in a serene pose on a red and gilt lotus shaped base, China, 19th/20th century -h. 83 cm, restorations- Provenance: purchased by the current owner in Singapore in the late 1990's

A painted carved wooden duck, Bali, Indonesia, mid 20th century -19 x 33 cm, age crack and two small chips to the feathers-

A Chinese porcelain lamp vase with floral decoration on a wooden stand, China, 20th century -H. 31 cm, defects-

A Chinese blue and white porcelain opium pillow decorated with cartouches of Foo dogs surrounded by a pattern of cracked ice and flowers, China, 19th century -5,5 x 13 x 12 cm, small firing flaw to the rim, else in overall good condition-, added: a Chinese blue and whit porcelain dish with floral decoration, China, 19th century -D. 18,5 cm, rim chips- Opium pillows were used during the Opium era in an Opium den. Smokers would put their money and valuables inside, turn the larger opening towards the wall and smoke themselves into oblivion knowing that everything was safely tucked away

A gilt wooden carved panel depicting Chinese figures in a garden with foot bridge between two houses, China, first half 20th century -16,5 x 40 cm, some loss of paint to the side-

A Chinese painted wood wedding basket, China, 20th century

A silver and bone snuff bottle with two rings for a chain, possibly Tibet, 19th century

A large copper and brass lime container or 'killotaya' with original chain and spatula, Sri Lanka, 19th century -h. box: 7,5 cm, chain and spatula: 16 cm- It was used to hold and carry slaked lime (chunam) for mixing with sliced areca nut for betel chewing, added: a Tibetan brass mandala with Chinese zodiac and trigrams

A bronze torso of a walking Buddha, also known as Sukhothai Buddha, set on a wooden base, Thailand, 19th/20th century -24,5 cm excluding base-

A Chinese ivory figure of a seated fisherman on a wooden base, China, ca. 1900 and a Shiwan celadon glazed pottery figure, China, late 19th century -fisherman: 15,5 cm, minor defects, Shiwan figure: 18 cm, arms broken and glued-

Omani, four-ringed silver and leather Jambiya or Khanjar dagger with wooden hilt, Oman, late 19th/early 20th century -28,5 cm, defects, blade rusted-

A Chinese porcelain 'double happiness' wedding gift ginger jar and cover decorated in underglaze blue on a wooden base, China, late 19th/early 20th century -23,5 cm, chips to cover- added: a blue and white jar -broken and glued-

A Gandhara style stone head -19 cm-

Two framed Chinese watercolours of flowers with calligraphy together with seven modern watercolours of landscape scenes with silk mounts, China, 20th century -frames 56 x 29,5 cm-

Two Balinese wooden sculptures: bust of a djanger dancer and bust of a young woman -largest h. 29 cm, tiny chips-